Ode To Nightingale By Keats Essays - Ode To A Nightingale

Ode To Nightingale By Keats In Ode to a Nightingale, John Keats, the author and narrator, used descript terminology to express the deep-rooted pain he was suffering during his battle with tuberculosis. This poem has eight paragraphs or verses of ten lines each and doesn't follow any specific rhyme scheme. In the first paragraph, Keats gave away the mood of the whole poem with his metaphors for his emotional and physical sufferings, for example: My heart aches, and drowsy numbness pains My sense (1-2) Keats then went on to explain to the reader that he was speaking to the "light-winged Dryad" in the poem. This bird symbolizes a Nightingale that to many, depicts the happiness and vibrance of life with the way it seems to gracefully hover over brightly colored flowers to get nectar but, to Keats death, because his was becoming. "Shadows numberless" at the end of the paragraph signifies the angel of death and spirits that had surrounded Keats. Keats vividly and beautifully described wine: ... for a beaker full of the warm South... With beaded bubbles winking at the brim, And purple stained mouth; That I might drink, and leave the he used to bury his fears and emotions about death. In verse three, Keats expressed that most people enjoy a full life and die old, when he pens: Here, men sit and hear each other groan; ...last gray hairs, Where youth grows pale, and spectre-thin, and dies... (24-26) He felt that youth was a time in one's life to enjoy. According to him, being rich, popular, beautiful, funny and smart didn't matter because the angel of death was blind. Keats was afraid of death because of the loved one's he had to leave behind. He expresses that with the phrase: And with thee fade away into the forest dim (20) Keats explained that he had wanted to wander off into the forest so no one would've had to be bothered by him. In paragraph four, Keats had spoken to the Nightingale and told it to go off and leave him alone because he already had known that death was coming and didn't want to be reminded of his sad fate. Keats went on to say: I cannot see what flowers are at my feet, Nor what soft incense hangs upon the boughs, But, in embalmed darkness... (41-43) This meant he didn't know what was about to happen, only that he was going to die. He then illustrated all the creatures and things that would live long past him; The grass, the thicket, and the fruit-tree wild... (45) In paragraph six, Keats had listened to the "Darkling" or Nightingale singing and this had reminded him of how at one time in his life he questioned death and was even infatuated by it because death was an unknown universe when he composed: ...for many a time I have been half in love with easeful Death, Call'd him soft names... (51-53) But quickly after he had recalled that memory he stated: Still wouldst thou sing, and I have ears in vain- To thy high requiem become a sod. (59-60) Here he was saying how the "Darkling" sounded beautiful when it sang but that was just a mask for the fate that it was taking him to; death. Thou was not born for death, immortal Bird! (61) The immortal Nightingale wasn't put on this earth to bring people to their deaths, according to Keats. Over generations, the bird has warned "emperors and clowns" that death can not be cheated. ...the fancy cannot cheat so well As she is fam'd to do... (73-74) Here he had stated that the rich could not buy their way out of death because that was all the Nightingale had come to do. The song of the Nightingale had faded and Keats composed, ...thy plaintive anthem fades... ...and now ?tis buried deep (75 & 77) and he didn't know if it was real or if he had dreamed the whole thing. Keats wasn't sure if he was still alive or had died. ?Do I wake or sleep? (80)

Salem Possessed essays

Salem Possessed essays In the past, the word Salem has always been somewhat synonymous with the infamous witch trials. Rather than overlook the ordinary people living in the towns in which Paul Boyer and Stephen Nissenbaum write, they instead take the instance of the witch trials of 1692 and springboard from them into a detailed inquisition into the entire history of the small village of Salem. In their own words, Boyer and Nissenbaum have exploited the focal events of 1692 somewhat as a stranger might make use of a lightning flash in the night. That is to say, the authors strive to show how the witch trials were not simply a completely spontaneous event, but rather a long, horrible process by which individuals were singled out, tried, and executed in order to vent emotions of hostility towards change. Boyer and Nissenbaum proposed that one difference between the accusers and the accused was a difference of economic status. The way in which the authors go about this, however, is in a somewhat difficult to comprehend style that goes back and forth between the years, forcing one to rethink all the facts thus far each time a new chapter is introduced. In addition, the authors tend to focus mostly on the social and economic aspects of witchcraft, with little to nothing as far as further explanation of the actions of the women accused. In the year 1692, the small farming village of Salem, Massachusetts saw a social phenomenon that would propel the village into the history books: the calamity that was witchcraft. The witch trials were initiated whenever three young girls, Betty Parris, Abigail Williams, and Ann Putnam were caught performing fortune telling rituals in the woods, trying to gather information on what type of man would be best for them. Soon thereafter, the girls began experiencing hysterical fits, prompting Betty Parriss father, Reverend Samuel Parris, to call in the authorities to confirm the cause of the girls symptoms. The authoriti...

Asian American women before 1950 Essay Example | Topics and Well Written Essays - 1000 words

Asian American women before 1950 - Essay Example Prior to this the community endured a century of hardships that mitigated their integration into mainstream American socio-culture. If racial prejudice was a sizeable challenge on its own, the issues were compounded for womenfolk. The rest of this essay is an overview of the Asian American experience prior to 1950. Sociological theories on ‘gender’ and ‘intersectionality’ were perused as were classic literary works and essays pertaining to the subject. It is instructive to look at theoretical perspectives that make lucid the Asian American women’s experience before 1950. During much of the evolution of sociology, studying history and society through the axis of gender was not common practice. Race, ethnicity, age, class and nation were the common definitive parameters for groups that were studied. Understanding socio-history from the perspective of gender was mainly an offshoot of feminist movements of mid-twentieth century. The second wave feminist m ovement was especially instrumental in introducing this approach. The relational identities of women of 19th century as either someone’s daughter, husband or mother is fully applicable to Asian American women. ... .the goal is to discover the range in sex roles and in sexual symbolism in different societies and periods, to find out what meaning they had and how they functioned to maintain the social order or to promote its change†. (Scott, 1986) Seen in the backdrop of this theoretical framework, it is fair to claim that Asian American women had a decidedly more arduous century prior to 1950 than their male counterparts. This is evident in the literary works of the time, especially that of Jade Snow Wong’s ‘Fifth Chinese Daughter’. The short novel is filled with real life events of the author as she lived through the transition from a native Chinese culture steeped in tradition and the more liberal outlook afforded in America. The book shows the patriarchal familial set up among the Chinese and how this can be a hindrance for immigrant women looking to avail of opportunities for personal and professional growth in the New World. ‘Intersectionality’ is ano ther useful theoretical basis for studying Asian American women’s experience, for it brings the core problems from different domains to the analysis. It helps the studied group to â€Å"invent and inhabit identities that register the effects of differentiated and uneven power, permitting them to envision and enact new social relations grounded in multiple axes of intersecting, situated knowledge.† (Chun, Lipsitz, and Shin, 2013) The theory is seen in action in Jew Law Ying’s ‘Coaching Book’ - a touching historical document that brings out the extent of Asian American women’s struggle for citizenship in the USA. The work is a translation of the ‘coaching book’ which the author’s father sent to her mother prior to the latter’s long voyage to America. The book

A paper about change management and organizational leadership- Case Study

A paper about change management and organizational leadership- situation and how to deal with it using a style of leadership- collegue sample included - Case Study Example Good leaders are those who can dexterously handle the paradoxes associated with the organization, and steer the organization to heights unimaginable. However, many managers always attest to the fact that handling changes can sometimes be challenging. Research show that it is the methods employed in handling implementation that sometimes are not suitable for the prevailing circumstances in a particular organization, and thus the imminent failure witnessed in such situations. Consider a case in an organization, say ABC, in which the management wants to give an overhaul to the current humanistic values. As is the case with humans, change is never something that they are ready to welcome. This necessitates the need for a better approach that will not stir rebellion from the employee. Nickols (2010) for instance, presents an analysis of four strategies that are vital to managing change in any organization. He centers his argument on a number of aspects regarding the nature of change. These aspects include the extent of the change i.e. more radical and transformative changes require a strategy that is environmentally adaptive, and which might fail when dealing with a less radical change. The other aspect is the stakes that the change has, for instance, a change with high stakes requires the application of almost all the four strategies, while moderate stakes are totally against an approach such as the power-coercive strategy. The degree of resistance the cha nge is bound to encounter is another aspect, strong resistance favors the use of power-coercive and/or environmental-adaptive strategy while a weak resistance is more receptive to either or a combination of rational-empirical strategy and normative-re-educative strategy. Another aspect of great importance is the period within which execution of the change is to take place. Here, he notes that Short time changes require power-coercive strategy to execute, while long-term changes thrive well

The Byzantine Empire Essay Example for Free

The Byzantine Empire Essay When the western Roman Empire descended into chaos in 500 C.E. much of the Roman culture on the west side was lost, while the Eastern empire survived and preserved much of the surviving Roman Culture, but changed it’s name to the â€Å"Byzantine Empire,† showing individuality in many aspects between Rome and Byzantine. The Byzantine Empire was the surviving reminisces of the Roman Empire, which flourished into the oldest and longest lasting empire in our history. It began with the emperor Constantine who based much of the Byzantine Empire social structure of Rome. For example, the romans had two distinct classes, the Patricians and the Plebeians, the poor and the elite. The Byzantines had the poors and the Vassals. Although there was a severe gap between the social classes, the Byzantines had something called a Pepacy or the office of the people. â€Å"The laws of every people governed by statutes and customs are partly peculiar to itself, partly common to all mankind†¦..† This shows that although it continued on the Greek style of democracy, it incorporated its own laws and writings in it (Document 1 and Document 4) When the Western Roman Empire crumbled down, many people don’t know the extent of the damage the Western Empire endured. â€Å"And having a mind set upon evil, they took in hand unlawful deeds, thinking to suppress altogether the depicting of the venerable images.† This displays the chaos and anarchy roaming in Western Rome. And when the Byzantine Empire came about, it was the nail in the coffin, marking the decline of the Roman Empire (Document 3) Originally Roman religion worshipped the emperor as a god, a single deity, however that all changed when Constantine came into power. He quickly established the Byzantine capital as Constantinople, and made Christianity as the national religion. This marked the start of Christian ascendancy, which quickly globalized Western Europe. â€Å"We should be the slaves, not the sons of such as Church, and the Roman See would not be the pious mother of sons but a hard and imperious mistress of slaves.† The following quote depicts many citizens against and the Christian way of life, which eventually switched over to Islam and Constantinople was renamed to modern day â€Å"Istanbul.† (Document 2 and Document 5) If given a bonus document it would explain how people lived day in and day out living in the Byzantine Empire. Because it will explain how much of their daily lives are parallel to that of the ancient Romans.

Female Depression among Group Home Residents Essay -- Social Psycholog

A greater insight into female depression could lead to improvements in group home settings. Specifically with a focus on youth (ages 12-17), the relationship between experience in the justice system will be gathered and interpreted with emotions and symptoms of depression. Critically exploration of the relationship between females who experience symptoms of depression and the justice system using respondents who reside in group homes will lead to a greater understanding of the causes and services that could be made available. Defining Concepts For the purposes of this study depression is â€Å"based on a predicted probability of a person experiencing a major depressive episode (Mitura & Bollman, 2004).†Questions which address â€Å"feelings of sadness, depression, losing interest in most things, feeling tired/low energy, trouble concentrating and trouble falling asleep over the previous 12 months† would be effective for gathering data specific to this study (Mitura & Bollman, 2004). Youth will be defined as participants between the ages of 12 and 17. Experience in the justice system is expanded to include personal encounters in both the capacity of a victim and offender. Group homes are â€Å"community - based homes for young people who are in need of group care (McMann Youth, Family and Community Services Association, 2009)†. Group homes in this study are characterized by the structured, planned and supervised nature of the programs within the home and based upon the assessed needs of the individual ( Ibid) Disciplines The disciplines related to the research being conducted include the fields of psychology and medicine. Psychology covers the aspects of the mind and behaviour of those suffering from depression. The medical field in also di... ...f replicated, similar results would surface (Berg, 2009). This research project will uncover opinions and experiences through interviews and potentially focus groups. Conclusion Females living in a group home setting lack research into depression related to the criminal justice system. Although the subject matter may evoke a great deal of personal hardships, the results would lead to a better understanding of the negative effects of our justice system on girls that do not have continuous parental support. The group home setting provides challenges with obtaining subjects, although with access to this vulnerable population, depression rates could be decreased. The experiences and emotions that come out of this study will provide a glimpse into to complex life of depressed Calgary girls living in group care and hopefully bring positive change to their lives.

Ra One- the Extra-Ordinary Sales Promotion by Srk

RA ONE- The extra-ordinary sales promotion by SRK I've often heard people say, film-making is nothing short of a gamble. And as any gambler will tell you, you've got to gamble huge to triumph huge. Going by this logic, Shah Rukh Khan is The Supreme Gambler of the year. What's at stake, beside the big money invested in RA. ONE of course, is a dream, a vision, an aspiration to make a film which appeals to kids and kids at heart. In short, attempt a film that appeals to the universal audience. At the same time, it ought to raise the bar for Hindi films. Also at stake is SRK's once-unchallenged supremacy as the reigning idol of Bollywood and that elusive thing called reputation. When you invest your repute in your dream project and stick your neck out, you expect nothing short of a mega-success. â€Å"I had a very clear of how we’ll market it. The first clarity was that we won’t have too many images of the film. I didn’t want it to be cluttered. I didn’t want it to be a hero and a heroine and their son. This is a superhero film and we had to introduce that. Whether people like it or not, my marketing thought is if you keep something in front of people for too long, they get used to it. So there was this big fear — when my costume comes out and me with blue eyes, will it be liked? Small considerations like this which you don’t think about while making the film, but when it comes out, people say, â€Å"you know what, your dadhee (beard) isn†t working at all†. SRK The daily promotional strategy of the media savvy Shah Rukh Khan seems to be working when it comes to publicizing his film ‘Ra. One’. He has pushed the film in every way possible – through multiple co-branding deals, in-film plans, promotional tie ups, marketing strategies, gaming and merchandising and much more. The ‘Ra. One’ous appetite of King Khan seems to be insatiable and everyone is being a part of it, whether they understand it or not. The film is thus ending up as the most promoted film till date â€Å"SRK’s strategy is similar to several Hollywood biggies where promotions start several months before release. Typically, big star cast movies and mega-budget releases such as Bodyguard, Singham etc start their marketing around eight weeks before release. But SRK has taken marketing to a whole new level for a Bollywood movie,† says Pritie Jadhav, chief operating officer, P9 Integrated – a division of Percept. The makers of Ra. One are on a marketing blitzkrieg Eros International and Shah Rukh Khan’s Red Chillies Entertainment have brand tie-ups for Ra. One to the tune of Rs. 52 crore of which Rs 12-15 crore has been earmarked for online promotion, an advertising executive involved with the promotion of the movie said on condition of anonymity. Brand tie-ups that the marketing spends of the film have been considerably subsidised. Some of the brands with whom tie-ups have been effected are Sony PlayStation, YouTube, Nerolac, McDonald’s, Western Union Money Transfer, UTV Indiagames, Videocon, Nokia, Coke, ESPN Star Sports and Cinthol. Eros and Red Chillies have recovered part of their huge investment in the film through in-film branding, media endorsements, pre-licensing of cable TV and satellite rights, music and other rights Promotion of the film officially began as early as December 2010 when the first poster was published in all leading news papers across the country. The film's first look was later unveiled by Khan on his Twitter page on January 1, 2011. Several months later, director Anubhav Sinha announced that he would be launching two teaser trailers of the film during the 2011 Cricket World Cup, a prior nine months before the film's actual release date. Ra. One is not a Bollywood film that [the audiences] have seen before. The kind of size and magnitude that the film has requires it to be slowly introduced to the audience and that is the very purpose why we are starting the whole communication so early. â€Å"says Anubhav Sinha The film's first theatrical trailer was released three months later to the p ublic. As a way to promote the theatrical trailer, Khan was accompanied by the director on a five city tour, which included such places like Delhi, Chandigarh, Indore and Ahmedabad. During the same event, a 3600  ft long fan mail collecting audience wishes and messages for the film was also launched. Strategies which have caught the imagination of a population of over a billion Indians * Online Promotions: Approx INR 52crore is the estimated total budget shelled out for Ra. One’s marketing, in which INR 15 crore is for online promotions. Usually Bollywood film promotions only starts eight weeks before release but SRK took it in the Hollywood way, from January of this year with his first appearance in Twitter. Later it was the Facebook Fan page that started off its promotion from March SRK and Google – YouTube announced a partnership deal on mutual benefits basis. An exclusive video was created by Red Chillies (Khan’s production company) and was integrated into the YouTube Channel (Ra. One Youtube Channel). The company launched the official customized Ra. One channel of the film on YouTube(a first for an Indian film) where several song and theatrical promos were released to the public, along with videos of the film's making, events and uncut footage. The channel also hosts games, including the first social game from India, and contests where participants can create promos from clips, music and dialogues of the film. * Merchandise: As a way to promote the film and increase its franchising business, Shahrukh Khan tied up with Seventymm to market a variety of merchandises related to the film. Products included original G. One tee shirts, coffee mugs, wrist bands, watches, mobile pouches, video cameras, as well as many other things. Similar products were also available for purchase on the official G. One online store, which was launched alongside the film's official website. [90% of the 400. 000 stationery items and toys were sold in 15 days and 100. 000 more have been ordered. The makers spent 1. 5 crore on the mold for the G. One action figure. In addition to this, a jewelery line inspired by the symbol of â€Å"Ra. One†,as well as a series of HCL laptops with customized integrated Ra. One skin[59]were also made available to the public. These products are designed in-house by Red Chillies, and have been manufactured in China. By October, 50 products will be sold in more than 3,500 stores and e-commerce sites. Comics: Red Chillies Entertainment collaborated with UTV Indiagames to develop digital comics based on the film's characters. Written by Khan, the comic featured weekly episodes and served as a prequel to the events happening in the movie * Video games: RA. ONE continues to surprise the Indian audience with new innovations on a continued basis. Red Chillies Entertai nment had declared a tie-up with Sony Computer Entertainment Europe (SCEE) to build a full cycle game on PlayStation platform. The video game version of the movie will be called ‘RA. ONE–The Game‘ and will be available on PS2 and PS3 (through PSN download). This is a newer direction for Bollywood to create a win-win strategy of both promoting the film as well as create a brand extension strategy for RA. ONE. The film, with its super hero touches, is appropriate to seamlessly use the PlayStation platform and connect with the In youth. * Print adds and billboards: Print ads have been booked in all leading publications while 1,700 billboards will show the superstar in his superhero gear. This by far the largest collaboration in terms of in terms of billboards for any movie . Somthing or the other we read about the movie everday . * â€Å"Bharat Bhraman† Tour: Shahrukh Khan is places for Ra. One. The King Khan has started his bharat bhraman and caught with his fans from Kolkata to Delhi. Shahrukh covered cities like Vadodara, Gujarat; earlier he was in Chennai for ‘Ra. One’ audio launch in Tamil; and he was in the cities Bangalore , Jaipur and Bhopal Vadodara. SRK did a 36-city tour, which will include several foreign destinations, and one of the highlights of these events will be a 3,600-feet-long fan mail collecting audience wishes and messages. Mobile Engagements and application: iPhone / iPad app for the fans, in collaboration with UTV’s Indiagames. To talk about the app – Ra. One is an arcade first-person shooter game where you can play as G. One to shoot bad guys down with their team leader Ra. One. The game comprises of three terrains – Trainyard, London Bridge and Wasteland with a total of 89 levels (called Waves in the game), starting with Wave 1 and unlocking as you complete each level. Movie themes ,songs , games , wallpapers all of which form a part of mobile engagments are easily accessible over the net * Television promotions: Appearances in three major shows (Just Dance , SA RE GA MA PA Lil Champs. Indias Got Talent)in 3 entertainment channels to participating in ‘kaun bangea corerpati’. Interviews and teasers are a constasnt attraction nowdays for the viewers . Televison promotion is playing a big role in promoting the film * Selling movie rights: Even before its release, Ra. One managed to earn a revenue of Rs132 crore simply by giving away the rights of the movie. The brand equity of film star Shahrukh Khan is unparalleled and his presence in the movie gives a huge boost to distributors and companies to get associated with the brand. Star India got the rights for Ra. One at around Rs40 crore. Apart from this, the music rights were bought for Rs15 crore by T-Series. The producers got a whopping Rs77 crore from Eros Entertainment to own the distribution rights of the movie * Release and Premiere: The movie would be released at over 3000 screens in India and over 1000 screens overseas. Apart from this, premieres at international destinations like Dubai, Toronto and London, which have a high popularity for Indian films are on cards. Due to various new marketing strategies adopted by the producers of the movie, Ra. One managed to generate a lot of positive word of mouth. If not for its success, this movie would definitely prove to be a landmark in the Indian film industry for its advertising and marketing strategies. Will promotional overdrive harm ‘RA. One'? They need to remain prepared to face the severe criticism if they fail to live up to the expectation by even a bit, and it will be difficult to match the hype because they have unveiled almost everything about ‘RA. One'. Audience expectations build up with such a high intensity campaign and the risk is that even a small disconnect can boomerang. That’s not the climax the producers would look forward to. The expections are have increased so much that if the film does not fair according to the standards set by the movie then the audience will feel cheated . Nevertheless the first reactions have come in from the trade analyst and they are optimistic about the film. â€Å"Wow! Brilliant! Mesmerising! Leaves u dumbfounded! Blockbuster! Indian cinema bar raisd! Saw portions of RA. . SRK surpasses himself. †- komal Nahata Watched more than an hour of #RaOne. Left me amazed. Technological breakthrough. At par with intl films. A superhero film that’s super! † – Taran Adarsh These reaction about the movie is only going to create a good word of mouth about the film and this will lead to audience booking there tickets Conclusion All said and done u like the promotions or not but u simply cant ignore the movie. Shahrukh Khan along with his team has made us think about the differentiated strategy implemented across the country . The strategy is here to stay . It has layed down a path that will make other filmmakers to think . As far as the box office collection goes it’s a sure short blockbuster. References * Saxena, Manjari (2011-10-24). â€Å"Ra. One: Shah Rukh Khan has another winner†. Gulf News. Retrieved 2011-10-24. * â€Å"SRK concentrates on Ra. One†. Filmfare. 2010-05-06. Retrieved 2010-08-22. * Press Trust of India (2011-10-21). â€Å"SRK turns salesman to sell ‘RA. One' merchandise†. CNN-IBN. Global Broadcast News. Retrieved 2011-10-21. * Ra. One: Exclusive & Authentic Movie Merchandise†. Seventymm. Retrieved 2011-10-20. * Adarsh, Taran (2011-10-21). â€Å"SRK, Eros take ‘Ra. One' to next level†. Bollywood Hungama. Retrieved 2011-10-21. * Bhat, Varada (2011-09-19). â€Å"Bollywoods longest promotion†. Business Standard. Retrieved 2011-09-19. * â€Å"Shah Rukh meets fans on Google Plus Hangout for RA. One chat†. CNN-IBN. Global Broadcast News. Retrieved 2011-10-20. * Shinde, Shivani (2011-08-30). â€Å"India's first social game for Ra. One†. Business Standard. Retrieved 2011-08-29. * Baksi, Dibyojyoti (2011-10-14). â€Å"SRK's discovery speaks up about RA. One†. Hindustan Times. Retrieved 2011-10-15. * Jamkhandikar, Shilpa (2011-10-13). â€Å"A Minute With: Shah Rukh Khan†. Reuters. Retrieved 2011-10-13. * RA. One's rampage. Prannoy Roy Publications. 2011-10-14. Retrieved 2011-10-20. * Joshi, Tushar (2011-10-18). â€Å"RA. One gets an addition†. The Times of India. Retrieved 2011-10-18 * NDTV Correspondent (2011-10-13). â€Å"I am SRK†. NDTV. Prannoy Roy Publications. Retrieved 2011-10-13. * Press Trust of India (2011-10-14). â€Å"Ra. One gets Rs 52-cr promotional push†. CNN-IBN. Global Broadcast News. Retrieved 2011-10-14.